Take 5

^{TAKE 5}

Richard Tipping

_{Image: Richard Tipping, (Australia 1949 - ), Alphabet Soup, 1978, gelatin silver prints, 13.5 x 19.8 cm (image); 20.2 x 25.0 cm (sheet), Collection of Flinders University Museum of Art 1226K.090, © the artist, photographed by David Reid, image courtesy FUMA}

^{TAKE 5}

Barbara Hanrahan

_{Image: Barbara Hanrahan, (Australia 1939 – 1991), The eye of God, 1974, London, hand-coloured linocut, coloured inks on paper, 51.0 x 38.0 cm (image), 74.5 x 54.2 cm (sheet), artist's proof, Collection of Flinders University Museum of Art 1846, © the artist / courtesy Susan Sideris}

^{TAKE 5}

The Nuremberg Chronicle

^{Michael Wolgemut (1434-1519), Wilhelm Pleydenwurff (c.1458-1494), Bamberg (Bamberga), from Hartmann Schedel, Nuremberg Chronicle (Liber Chronicarum), fol. CLXXIIII verso - CLXXV recto, c.1490-93, published 12 July 1493 by Anton Koberger, Nuremberg, Germany, woodcut, letterpress, ink and watercolour on paper, Collection of Flinders University Museum of Art 37.002}

^{TAKE 5}

Francisco Goya

^{Francisco Goya (1746-1828), Furious folly (Disparate furioso), plate 6 in the series Los Disparates (The Follies), c.1815-19, published 1864, Madrid, etching with burnished aquatint, ink on paper, 25.0 x 46.4 cm (plate), 32.0 x 48.9 cm (sheet), Collection of Flinders University Museum of Art 77}

^{TAKE 5}

String figure prints by Yirrkala artists

^{Marrnyula Munuŋgurr, born 1964, Wandawuy, Northern Territory, Djapu, Biyay (goanna), 2019, soft-ground etching, ink on paper, 34.6 x 24.5 cm (plate), 40.9 x 39.0 cm (sheet), edition 5/10, Collection of Flinders University Museum of Art 5969, © the artist}

^{TAKE 5}

French colonial prints

^{J M Hacq, (active 1830-1835), engraver, Frontispiece to Atlas in Voyage de la corvette l’Astrolabe: execute par ordre du roi, pendant les années 1826-1827-1828-1829, published 1833-1834 by J Tastu, Paris, engraving on paper, 50.8 x 33.2 cm (sheet), Gift of Alex Wakulenko, Collection of Flinders University Museum of Art 5942}

^{TAKE 5}

Mandy Martin

^{Mandy Martin, You never had it so good, 1976, screenprint, colour inks on paper,65.3 x 46 cm (image), ed 3/25, Donated through the Australian Government's Cultural Gifts Programs by Amanda Martin Collection of Flinders University Museum of Art 5055, © the estate of the artist}

^{TAKE 5}

Dora Chapman

^{Dora Chapman, Dreaming girl, 1970, screenprint, coloured inks on paper, 38.4 x 28.1 cm, ed A/P Collection of Flinders University Museum of Art 2142, © the estate of the artist / Copyright Agency 2020.}

^{TAKE 5}

Dr B Marika

^{Dr B Marika, Djanda and sacred waterhole, 1984, linocut, coloured inks on paper, 75 x 56.5 cm, ed A/P, Collection of Flinders University Museum of Art 2132, © Banduk Marika 2021}

^{TAKE 5}

Ann Newmarch

^{Anne Newmarch Ann, 1994, coloured pastels on paper, 78.5 x 62 cm, Gift of Dr Janice Lally, Collection of Flinders University Museum of Art 4435 © the artist}

^{TAKE 5}

Christine McCormack

^{Christine McCormack, A day turned to night from the Persephone series 1973 lithograph, ink on paper 70.5 x 52 cm, © the artist}

^{TAKE 5}

Optronic Kinetics

^{Optronic Kinetics, Flashing boob, 1971, gelatin silver photograph, Gift of Emeritus Professor Donald Brook, Collection of Flinders University Museum of Art 3094, © the Estate of Herbert Flugelman 2020}

^{TAKE 5}

Bijin-ga: Beauties of the Floating World

^{Woman reading a letter (Fumi yomu onna) From the series Ten classes of women’s physiognomy (Fujo ninso Juppon) c.1772 woodblock print, coloured inks and white mica on paper 39 x 26.7 cm}

^{TAKE 5}

Józef Stanislaw Ostoja-Kotkowski

^{Untitled (photograph of man with paintings) c.1950, black and white photograph, 20 x 21.9 cm}